The Good Place – The vain, empty aristocrat who finds her purpose

In this show, there is an afterlife. When humans are alive, every single behavior either increases or deducts their points. After they die, depending on how much points they earn, they are either sent to the good place to enjoy their paradise for eternity or the bad place for eternal damnation. Michael is one of the demons responsible for torturing humans who are sent to the bad place.

Michael

One day he comes up with a new idea to torture human. He builds a neighbourhood and puts four humans there, making them believe that they are in the good place. He then makes use of their weaknesses, trying to let them torture each other emotionally.

Tahani is a rich, pretty and tall British aristocrat. She is one of the four humans Michael puts in his experiment. Tahani easily believes that she is in the good place, because of all those people she has helped, all the money she raises for others when she is alive.

Yet, her motivation is corrupted. She never cares about the people she helps. She raises all that money so as to prove her parents wrong and stick it to her sister. In season two, when she finds out that she is actually in the bad place, she wants to be the person she pretends to be.

In the last season, Tahani has shown significant change. This season starts with their experiment with the system in the afterlife. In order to prove to the judge of the universe that humans are capable of self-improvement and shouldn’t be tortured forever after they die, the main characters need to improve the character flaws in four test subjects.

the judge

John is one of the test subjects. He is a blogger who spite celebrities including Tahani when he is alive. His pettiness is a result of feeling excluded by the powerful and rich people.

John

She recreates all the luxurious things and invites him to participate. He enjoys them but whenever Tahani brings up self-improvement, she faces resistance from him and makes no progress. One night, she realizes that she was as lonely, miserable and jealous as John when she was alive because she was too obsessed with social status. She goes to find him and tells him a story of hers.

She was invited to a celebrity’s birthday party once, and only the wealthiest, most famous members were invited. Once abroad, she finds a VIP deck and an even more exclusive room which one could only access with a secret pin within the deck. She promptly entered. But no one was there. The party raged on outside, but she was so obsessed with status that she never left, spending the entire night talking to no one. She said to him, 

if all you care about in the world is the velvet robe, you will always be unhappy no matter which side you’re on.”

In another episode, she says to Eleanor, all she ever does on Earth and since she dies is throwing fancy parties. She wants to learn some real skills, something meaningful and fulfilling. After the team makes it to the real good place, she learns different skills, like paving a driveway, cooking, etc.

At the end of the show, she finds her purpose. Since she is good at making chairs, has a breadth of knowledge and the desire to genuinely help people, she becomes an architect intern to design tests that test whether people are qualified to go to the good place.

When feeling unsatisfied, sometimes we may think more fancy stuff will make us happier. At some points in my immature teenage years I have thought that myself. But the story of Tahani tells us something different. When on Earth, she has fame, money, social status, good looks, acquaintances with celebrities (that she likes to mention). But being obsessed with these makes her feel lonely and unhappy. And as Michael points out, her whole life was empty and pointless. Learning meaningful skills, genuine work, however unglamorous, and her purpose of helping people are what truly fulfil her.

Her life on Earth was empty, but eventually she finds meaning and purpose in her afterlife. We may or may not have an afterlife, and we wouldn’t want to waste the chance to live a more fulfilling and happier life if we can only think and feel once, so we take action now😁

this video is quite funny, can show Tahani’s vain and also funny sides

(credit to the owner of the video saschavos)

Thanks for reading.

(all photos credit to the owners of the show)

The Good Place – The Demon who Doesn’t Give Up

I want to introduce Michael, a character from The Good Place today. The Good Place is a fantasy comedy television series, aired from 2016 – 2020.

In this show, there is an afterlife. When humans are alive, every single behavior either gives or deducts their points. After they die, depending on how much points they earn, they are either sent to the good place to enjoy their paradise for eternity or the bad place for eternal damnation. Michael is one of the demons responsible for torturing humans who are sent to the bad place. He wears a human skin suit.

Michael (The Good Place) | Outside Wiki | Fandom

One day he comes up with a new idea to torture human, and if it is successful , his name can be shown on the hall of fame.

He builds a neighbourhood and puts four humans there, making them believe that they are in the good place. He then makes use of their weaknesses to torture them emotionally.

Michael and the four humans

But his first attempt doesn’t work. The humans find out that they are actually in the bad place. He erases the humans’ memory and starts again, and it ends up in over 800 more failures. Nonetheless he continues the experiment.

Eleanor’s realization

In season 2, another demon who is against him seizes control of the experiment. Michael teams up with the four humans. Slowly he learns from the humans, acquiring empathy, kindness and loyalty. Together they try to earn their spots in the good place.

In season 4, when the team proposes to the judge of the universe that the existing system in the afterlife is very problematic. Lives on Earth have become too complicated for people to do good. When people buy a tomato, they unintentionally support the use of toxic pesticides and exploitation of labour. In this way, people can never earn enough points to go to the good place. Moreover, although humans are flawed, they do not believe that they are beyond rehabilitation and should not be tortured forever. The judge then agrees to a year of experiment to test the system. 

Four recently dead humans will be the test subjects. Whether the group can win the case depends on how much the test subjects can improve their character flaws. The group conducts the experiment and strives to improve the four humans, but they face much difficulty. 

The leader Eleanor tells Michael that everything she does, blows up in her face.

Michael replies, “That’s true, about you making a lot of mistakes.” “Come on you know how this works, you fail and then you try something else. You fail again and again, you fail a thousand times and you keep trying, because maybe the 1001st idea might work.”

Eventually they pass the test. They redesign the whole system in the afterlife, and earn their tickets to the good place. 

Michael embodies the spirit of not giving up. It’s difficult to endure 80 failures, but he fails for over 800 times and still keeps trying. When his control is stolen by another demon, he finds another way. He doesn’t stop at the 800th idea, or the 1000th, because he believes the 1001st idea might work. His initial plan does not work. But after a long time of trying, and with the help of his friends, eventually he has gained a lot.

The group going to the real good place

Thanks for reading, until next time

(photos credit to the owners of the show)

The Yellow Wallpaper #2 – Madness as a form of liberation

One interpretation of “The Yellow Wallpaper” is that madness is not only a result of oppression, but also functions as a form of liberation for women. The narrator becoming hysterical is a means of rejecting her gender roles and escaping from the highly undesirable reality. 

Women and Madness, a book written during the second wave feminist movement, explores the impact of male domination on women’s psychology. It suggests that “what we consider ‘madness,’ whether it appears in women or in men, is either the acting out of the devalued female role or the total or partial rejection of one’s sex role stereotype”. 

The creeping women can be interpreted as the projection of the narrator’s own confinement. When the narrator first sees the creeping women, they are trapped by the wallpaper, trying to get out. The wallpaper represents restrictions placed on female by the society. When the narrator sees a creeping woman creeping everywhere, she mentions she has watched her sometimes away off in the open country, creeping as fast as a cloud shadow in a high wind. It suggests the narrator’s own wish for freedom. On the last day in the mansion, when the creeping women try to get out again from the yellow wallpaper, the narrator helps her tear it off. The narrator wishes to be free from all the restrictions imposed on her.

credit to Michael Manomivibul Illustration

Then she starts creeping on the floor herself , and feels “so pleasant to be out in this great room and creep around as I please!” When her husband John astonishingly asks her what is she doing, she says to him, “I’ve got out at last”. She gains her freedom and finally feels pleasant by being mad, by escaping from her gender roles and the reality.

The idea of madness as liberation also acts as criticisms on a society. If a person can only free herself by being mad, then it ironically suggests that the society is deeply malfunctioning.

The story looks like a ghost story on the surface, but it contains many hidden meanings , implicitly and skilfully bringing out the voices of female living in a repressive era. So I think it’s quite well-written.

What do you think about this story?

(Found an interesting animated short film of the story on youtube)

credit to the owner

The Yellow Wallpaper (1892) #1 – patriarchal oppression and women’s madness

There are many stories that feature patriarchal oppression leading to madness in women during the 19th century. One of them is a short story written by Charlotte Perkins Gilman, “The Yellow Wallpaper”. I will explore how the theme is embodied in “The Yellow Wallpaper” in this post, and share an interpretation of madness in the next post – madness as a form of liberation.

The narrator and her husband spend a summer in an old mansion, in order to treat the narrator’s “temporary nervous depression”. Nonetheless, it worsens her condition.

In the story, the narrator can only submissively listen to men. She has to internalize the male’s ideas and is prevented to have an understanding of herself. Her emotions, concerns and desires are disregarded. She is also confined to a room. Such oppression eventually results in her madness.

The narrator’s husband and brother are both “physicians of high standing” who hold authority, so when they say there is “really nothing the matter with one but temporary nervous depression, a slight hysterical tendency”, even though the narrator disagree with their diagnosis, there is nothing she can do except for accepting what they say. She cannot have her own understanding and interpretation of herself. She has no choice but meekly listen to the male.

Moreover, the narrator’s husband constantly dismisses her concern and desires and when facing these dismissal, she has no choice but to comply.
For instance, John dismisses her anxiety about the yellow wallpaper. She hates the yellow wallpaper, but he laughs at her when she tells him about it. At first he means to repaper the room, but afterwards he says that the narrator was letting it get the better of me, and that nothing was worse for a nervous patient than to give way to such fancies. 
The narrator has a lot of creativity and likes imagination but he restrains them, despite that the narrator believes writing does her good: “I always fancy I see people walking in these numerous paths and arbors, but John has cautioned me not to give way to fancy in the least. He says that with my imaginative power and habit of story-making, a nervous weakness like mine is sure to lead to all manner of excited fancies, and that I ought to use my will and good sense to check the tendency. So I try.”

What worsens her illness is that as dictated by the “rest-cure” (a 19th-century treatment for mental disorders) and her physicians, she is isolated in a room and has little contact with people. She has very little to do that can occupy her time and mind since her husband requires minimum mental stimuli. 

Under these conditions, severe psychological symptoms are ultimately developed in her. She hallucinates and sees some creeping women behind the yellow wallpaper.

In the end, the narrator herself creeps over her husband.

There is a film based on the story if you don’t want to read :p

To be continued…

Jane Eyre #2 – metaphor

Literary device:

Usually when people ask me to think of a metaphor, mostly I come up with things like “love is a rose”, “her smile is bright like sun”… very cliched and unoriginal. lol But the metaphor the author wrote are quite special and they can quite capture the feelings. I quite like how the author describes Jane’s precious yet poignant pleasure in looking at Rochester

(since Rochester has quite high social status and Jane is an orphan, and romance between the two distinct social classes was forbidden by the society in that era. Jane always tries to remember that she is nothing more than the governess who receives salary from him for teaching his pupil) :

“a pleasure like what the thirst-perishing man might feel who knows the well to which he has crept is poisoned, yet stoops and drinks divine draughts nevertheless.” 

I am not a big fan of romance novels or movies, but I am fond of this one. Learn quite a lot writing technique from it as well.

Jane Eyre (1847) #1 – Challenging “Angel in the house” and Portrayal of the recesses of mind

Jane Eyre (by Charlotte Bronte) is set in the Victorian Era (England). The story is about the passionate and forbidden love between the orphaned Jane and the master of Thornfield Hall, Rochester.

A couple of things that I like about this novel:

It gives insights into the Victorian culture and challenges the patriarchal idea of womanhood :

During the Victorian era, the patriarchal idea of ideal femininity was “The Angel in the house” at that time. In short, women should be submissive to her husband, and be entirely devoted to serving her husband and her family. They should derive pleasure from it and be content. They should have no other desires or passion. They were limited to the domestic sphere, separated from the outside world, and they had no space for personal development. Those who failed to live up to it raised lots of criticism from the society.

The story challenges such definition of womanhood through the heroine Jane. Jane is not the “Angel” that men want women to be. A quote that can capture the essence of this idea:

When Jane thinks Rochester is about to marry a lady with high social standing, she wants to leave Thornfield. But Rochester asks Jane not to leave Thornfield and insists that she stays, then Jane says to him,

“Do you think I can stay to become nothing to you? Do you think I am an automaton – a machine without feelings?”

“Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! I have as much soul as you, and full as much heart” (Bronte)

She is not “soulless and heartless”. She has much human feeling and passion, just like any man does. She yearns to have independence and freedom, to experience life, to love and be loved.

Portrayal of the recesses of mind :

Jane’s inner space, her thoughts and feelings are depicted thoroughly. It’s like reading a real person. I know what she thinks about, how she feels, the flow of her mind and heart.
When Jane has not heard of the news of Rochester for ten days, Mrs Fairfax (the housekeeper) explains that sometimes he does not show up for a year.

“When I heard this I was beginning to feel a strange chill and failing at the heart. I was actually permitting myself to experience a sickening sense of disappointment: but rallying my wits, and recollecting my principles, I at once called my sensations to order…”(Bronte) 

Don’t want to quote too many words but such portrayal of the recesses of her mind basically characterizes the whole novel.

😉

To be continued…